Women, in truth, are not only intelligent; they have almost a monopoly of certain of the subtler and more utile forms of intelligence. The thing itself, indeed, might be reasonably described as a special feminine character; there is in it, in more than one of its manifestations, a femaleness as palpable as the femaleness of cruelty, masochism or rouge. Men are strong. Men are brave in physical combat. Men have sentiment. Men are romantic, and love what they conceive to be virtue and beauty. Men incline to faith, hope and charity. Men know how to sweat and endure. Men are amiable and fond. But in so far as they show the true fundamentals of intelligence—in so far as they reveal a capacity for discovering the kernel of eternal verity in the husk of delusion and hallucination and a passion for bringing it forth—to that extent, at least, they are feminine, and still nourished by the milk of their mothers. "Human creatures," says George, borrowing from Weininger, "are never entirely male or entirely female; there are no men, there are no women, but only sexual majorities." Find me an obviously intelligent man, a man free from sentimentality and illusion, a man hard to deceive, a man of the first class, and I'll show you a man with a wide streak of woman in him. Bonaparte had it; Goethe had it; Schopenhauer had it; Bismarck and Lincoln had it; in Shakespeare, if the Freudians are to be believed, it amounted to down right homosexuality. The essential traits and qualities of the male, the hallmarks of the unpolluted masculine, are at the same time the hall-marks of the Schalskopf. The caveman is all muscles and mush. Without a woman to rule him and think for him, he is a truly lamentable spectacle: a baby with whiskers, a rabbit with the frame of an aurochs, a feeble and preposterous caricature of God.
It would be an easy matter, indeed, to demonstrate that superior talent in man is practically always accompanied by this feminine flavour—that complete masculinity and stupidity are often indistinguishable. Lest I be misunderstood I hasten to add that I do not mean to say that masculinity contributes nothing to the complex of chemico-physiological reactions which produces what we call talent; all I mean to say is that this complex is impossible without the feminine contribution that it is a product of the interplay of the two elements. In women of genius we see the opposite picture. They are commonly distinctly mannish, and shave as well as shine. Think of George Sand, Catherine the Great, Elizabeth of England, Rosa Bonheur, Teresa Carreo or Cosima Wagner. The truth is that neither sex, without some fertilization by the complementary characters of the other, is capable of the highest reaches of human endeavour. Man, without a saving touch of woman in him, is too doltish, too naive and romantic, too easily deluded and lulled to sleep by his imagination to be anything above a cavalryman, a theologian or a bank director. And woman, without some trace of that divine innocence which is masculine, is too harshly the realist for those vast projections of the fancy which lie at the heart of what we call genius. Here, as elsewhere in the universe, the best effects are obtained by a mingling of elements. The wholly manly man lacks the wit necessary to give objective form to his soaring and secret dreams, and the wholly womanly woman is apt to be too cynical a creature to dream at all.
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