Poor Mojo's Newswire

Since I’m now getting a lot of writers wanting to participate in The Big Idea feature, I figure it will be useful to give them a reference document on how to write one (and how not to). Hence the following, which I will direct folks to rather than having to write this all over and over again. I am nothing if not efficient. To spare those of you who don’t care while this is on the Whatever front page, all of the gory details await behind the cut.

In “Love and Consequences,” a critically acclaimed memoir published last week, Margaret B. Jones wrote about her life as a half-white, half-Native American girl growing up in South-Central Los Angeles as a foster child among gang-bangers, running drugs for the Bloods.

The problem is that none of it is true.

Margaret B. Jones is a pseudonym for Margaret Seltzer, who is all white and grew up in the well-to-do Sherman Oaks section of Los Angeles, in the San Fernando Valley, with her biological family. She graduated from the Campbell Hall School, a private Episcopal day school in the North Hollywood neighborhood. She has never lived with a foster family, nor did she run drugs for any gang members. Nor did she graduate from the University of Oregon, as she had claimed.

BRUSSELS, Belgium (AP) -- A Belgian writer has admitted that she made up her best-selling "memoir" depicting how, as a Jewish child, she lived with a pack of wolves in the woods during the Holocaust, her lawyers said Friday.

Misha Defonseca's book, "Misha: A Memoire of the Holocaust Years," was translated into 18 languages and made into a feature film in France.

Her two Brussels-based lawyers, siblings Nathalie and Marc Uyttendaele, said the author acknowledged her story was not autobiographical and that she did not trek 1,900 miles as a child across Europe with a pack of wolves in search of her deported parents during World War II.

And when people did help they were given a flattering name. They weren't called "Wikipedia's little helpers," they were called "editors." It was like a giant community leaf-raking project in which everyone was called a groundskeeper. Some brought very fancy professional metal rakes, or even back-mounted leaf-blowing systems, and some were just kids thrashing away with the sides of their feet or stuffing handfuls in the pockets of their sweatshirts, but all the leaves they brought to the pile were appreciated. And the pile grew and everyone jumped up and down in it having a wonderful time. And it grew some more, and it became the biggest leaf pile anyone had ever seen anywhere, a world wonder. And then self-promoted leaf-pile guards appeared, doubters and deprecators who would look askance at your proffered handful and shake their heads, saying that your leaves were too crumpled or too slimy or too common, throwing them to the side. And that was too bad. The people who guarded the leaf pile this way were called "deletionists."

. . .

It worked and grew because it tapped into the heretofore unmarshaled energies of the uncredentialed. The thesis procrastinators, the history buffs, the passionate fans of the alternate universes of Garth Nix, Robotech, Half-Life, P.G. Wodehouse, Battlestar Galactica, Buffy the Vampire Slayer, Charles Dickens, or Ultraman—all those people who hoped that their years of collecting comics or reading novels or staring at TV screens hadn't been a waste of time—would pour the fruits of their brains into Wikipedia, because Wikipedia added up to something. This wasn't like writing reviews on Amazon, where you were just one of a million people urging a tiny opinion and a Listmania list onto the world—this was an effort to build something that made sense apart from one's own opinion, something that helped the whole human cause roll forward.

Wikipedia was the point of convergence for the self-taught and the expensively educated. The cranks had to consort with the mainstreamers and hash it all out—and nobody knew who really knew what he or she was talking about, because everyone's identity was hidden behind a jokey username. All everyone knew was that the end product had to make legible sense and sound encyclopedic. It had to be a little flat—a little generic—fair-minded—compressed—unpromotional—neutral. The need for the outcome of all edits to fit together as readable, unemotional sentences muted—to some extent—natural antagonisms.