Poor Mojo's Newswire

The Ahmed Baba Library alone contains more than 20,000 manuscripts, including works on herbal medicine and mathematics, yellowed volumes of poetry, music and Islamic law. Some are adorned with gilded letters, while others are written in the language of the Tuareg tribes. The contents remain a mystery.

Manuscript hunters are now scouring the environs of Timbuktu, descending into dark, clay basements and climbing up into attics. Twenty-four family-owned collections have already been discovered in the area. Most of the works stem from the late Middle Ages, when Timbuktu was an important crossroads for caravans. It was home to gold merchants and scholars, and it even boasted a university with 20,000 students. The old saying "the treasures of wisdom are only to be found in Timbuktu" summed up the ancient city's appeal.

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According to an employee at the Ahmed Baba Library, Mali was overrun by the French colonial army after 1880. "The French didn't want us to have the manuscripts, and they tried to steal them," says the library worker. The documents were hidden to protect them.

These are the walking dead.

Cases are always made that in fact these magazines are on strong — or at least survivable — financial ground. Even ignoring the fact that the money they offer for fiction is pitiful, I think that matters less than that they are reaching massively fewer people every year.

One of the reasons we care, of course, is that we associate print magazines with an intelligent curation process overseen by functional salaried adults. That’s why so many people still look askance at the online scene as "not proper magazines." The people who believe that got their wish last month, when one of the editors of HELIX SF had his covers pulled as a bigot with clear psychological issues by a disgruntled writer. It gives credence to the bias, unspoken or otherwise, that a print magazine is a job of work and an online magazine can be thrown up by any drooling lunatic with access to the net and a credit card. A fanzine by any other name.

Regular readers will know that I like sending traffic to the likes of CLARKESWORLD and FARRAGO’S WAINSCOT etc from time to time. Aside from (patchy, beautiful) McSWEENEY’S, these are the places I look to for short fiction now. No real fireworks yet, no real movement, none of them seem to be really cresting the other in terms of profile, but the best work there has been head and shoulders over pretty much anything I read from ASIMOV’S, F&SF or INTERZONE (with one exception in the latter case) over the last several months.

Rowling originally handwrote and illustrated six copies of the book as thank-yous to people closely involved with the Harry Potter books. A seventh copy, bound in brown morocco leather and mounted with silver and semiprecious stones, was auctioned at Sotheby's last December, eventually going to online bookseller Amazon for L1.95m.

The Children's High Level Group (CHLG), the charity Rowling co-founded in 2005, will now publish the collection of five tales in trade and "collector's" editions. The trade editions, retailing for L6.99, will feature additional commentary on each fairy tale from Professor Dumbledore and an introduction by Rowling.