Understanding Kevin Smith thru "Chasing Amy"
This is a wonderfully mean (or accurate?) take down of Smith, from his aww-shucks-I'm-just-a-stoner-making-fun-films-that-don't-mean-nothing defensive persona, to his over-reliance on prudish attitudes towards to sex.
Et tu, Mr. Destructo?: Criterion Recollection: Silent Bob Strikes Out
It would be hard to count the number of times Kevin Smith has justified his filmmaking by explaining in his Comic Book Guy voice that he just makes "dick-and-fart joke movies" and that taking them seriously misses the point. If only this were true. The problem with Smith's filmmaking, evident in Chasing Amy, is that he actually does think his movies are more than dick and fart jokes; he makes a point of forcing his juvenile ideas of morality, social commentary and intelligent dialogue into his already jumbled and mismanaged work. That he also utilizes an excessive amount of dick-and-fart filler to offset the pretentious emptiness of his dialogue and plot proves only that he has the faintest glimmer of awareness that his movies suck and, as such, need sufficient cushion to repel critical barbs.
. . .
We're supposed to believe that, although Ben Affleck is totally cool with dating an ex-lesbian who casually mentions fisting on a park swing, he can't repress his puerile, hockey-fueled rage at her having engaged in a threesome in high school. This staged shock at what is supposedly a torrid sexual history should remind viewers of the equally inexplicable scene in Clerks where Dante freaks out because his girlfriend who can't act has sucked a ton of dicks. Instead of coming across as edgy, groundbreaking, daring or whatever other stupid adjectives have been misapplied to these farces, these scenes only reveal that Smith's obsession over sexual perversion comes from a place of deprivation, not experience.
. . .
When Smith writes long soliloquies, he doesn’t do so from an attempt to ironically portray how Holden conceives relationships with juvenile sentimentality, but because he lacks the ability to give you insight into each character without having them wrenchingly declare themselves and their universe to you. A better writer gives you the details and lets you discover a human being from them, but here, each word is very important, and each one has meaning, because this is communication through vivisection. You open up the animal, and every working part matters.
. . .
*via Lawyers, Guns and Money*
