Abhay on the appeal of epic comic crossovers
Maybe there’s an analogy we can draw to the big crossover. A specific series can only cover so much geography—an issue of The Fantastic Four can talk about family, an issue of Captain America can talk about patriotism. But the daily lives of readers are rarely just one thing—life can often be a series of collisions between disparate elements, between balancing family and work, social responsibility and private needs, etc. People eat dinner with their families, then turn on TV and hear about crazy shit happening on the other side of the world. Everything collides together. Everything’s colliding faster and faster—try and follow the news anymore. One day, the Bush Administration’s corrupt, the next day they’re incompetent, the day after that, they’re back to corrupt—who can keep up? The same machine you’re reading this on, brings you pornography and music, you know? The pornography is sometimes about innocent schoolgirls who get caught cheating on their college geography exams, and have to pleasure their way out of trouble. Sometimes there are moustaches involved; sometimes there aren’t. Sometimes the performances stops in the middle for the two lovers to kick open a pi�ata, and inside of the pi�ata are sex toys, and then the porn stars resume their lovemaking on top of the lust-pi�ata. Sometimes a young pistelero arrives upon the scenes and says “Madre de Dios! You have destroyed my lust-pi�ata with your naughtiness. I shall teach you both a lesson.” And then he does, sexually, and it’s horrible, and you want to look away, and you want someday to forget what you see, forget what happens next. But it’s border justice, and you learn to live with that.
Usually there are tattoos.
I think a big crossover can speak to that sense that beyond our own limited human stories or what have you, we’re part of a larger social organism, in a way that I don’t know of or can think of any other mainstream comic that can. So: maybe that’s something…?